I learned about Don Quixote, a novel written in the early seventeenth century, through various articles. It is the most translated and best-selling Spanish novel by Miguel De Cervantes Saavedra. Still, I have only recently read its English translation by John Ormsby. I couldn’t believe this philosophical humour was written almost 400 years ago; it seemed so modern. Besides, the character of Don Quixote does not look strange, as people like him appear everywhere in the contemporary world.
The novel is set in medieval Spain. Alonso Quijano is a bachelor landlord of around 50 who lives with his niece and a maidservant. He is enamoured with chivalry literature and starts believing himself to be a knight on a mission to protect good people. He assumes the name Don Quixote de la Mancha. He finds an old armour from his ancestors and makes up the missing parts using assorted metallic junk. He names his old and malnourished horse Rocinante, befitting a sturdy horse a knight must ride.
In his first outing, Don Quixote arrives at an inn, which he believes to be a castle. He demands that the innkeeper bestow upon him the noble title of ‘knight’. When he sees a young shepherd being beaten by his master, he tries to stop him, only to be humiliated. Next, some merchants whom he mistakes as invaders give Don Quixote a brutal beating and leave him on the side of the road, where he is found by a peasant and delivered home. His two well-wishers, concerned about his sanity, burn down his library and tell him it was done by a rival magician in his absence. He happily believes the story; it is a confirmation of his fantasy.
After staying home for a while, Don Quixote recruits Sancho Panza, a farm labourer, as his squire, a male attendant to a great personage. Don Quixote has no money to give as a salary and promises him riches, fame, and the governorship of an island. The duo moves out to fight with the evil forces, help the poor, and dispense justice—a tall Don Quixote riding his horse, wearing armour and carrying a nine-foot pole as his weapon, and short and bulky Sancho Panza following him on a donkey.
The long novel shows how Don Quixote imagines extraordinary situations in his stale and mundane life. He sees a herd of sheep as an invading army and a lady who salts meat in butchery as a damsel in distress; he must be rescued only to be beaten by the people around him. His worldly, wise, and practical servant saves him every time. His vision of windmills as demonic giants and his fighting with them are iconic images, making quixotic an idiom.
At this point, they came in sight of thirty or forty windmills that there are on that plain, and as soon as Don Quixote saw them, he said to his squire, “Fortune is arranging matters for us better than we could have shaped our desires ourselves, for look there, friend Sancho Panza, where thirty or more monstrous giants present themselves, all of whom I mean to engage in battle and slay, and with whose spoils we shall begin to make our fortunes; for this is righteous warfare, and it is God’s good service to sweep so evil a breed from off the face of the earth.”
“What giants?” said Sancho Panza.
“Those you see there,” answered his master, “with the long arms, and some have them nearly two leagues long.”
“Look, your worship,” said Sancho. “We see that there are not giants but windmills, and what seem to be their arms are the sails turned by the wind to make the millstone go.”
“It is easy to see,” replied Don Quixote, “that thou art not used to this business
of adventures, those are giants; and if thou art afraid, away with thee out of this and betake thyself to prayer while I engage them in fierce and unequal combat.” (Part I, Chapter VIII, Para 1)
The contrast between the real and the fantastic highlights how perception is subjective and how one’s beliefs shape one’s view of the world.
It is no business or concern of knights-errant to inquire whether any persons in affliction, in chains, or oppressed that they may meet on the high roads go that way and suffer as they do because of their faults or misfortunes. It only concerns them to aid them as persons needing help, having regard for their sufferings and not their rascality. (Part I, Chapter XXX, para 2)
In the novel’s second part, published 10 years later, Don Quixote embarks on another adventure with Sancho. A Duke and Duchess invite them to their palace for amusement and practical jokes. Sancho is given a false governorship, a deceptive prank that leads to humiliation. When Don Quixote is conquered in a battle with the Knight of the White Moon, he is forced to lay down his arms and abandon his acts of chivalry for one year. Before the battle, the conditions are agreed upon with the ‘knight’, who is dressed in a costume, that Don Quixote would go home if defeated. Eventually, Don Quixote retires in the countryside and falls sick.
After a few months, he recovers his sanity completely and, despite Sancho’s encouragement to restore his faith in fantasy, takes back the name of Alonso Quijano. He apologises for all the craziness and any harm that he may have caused before passing away.
As nothing that is man’s can last forever, but all tends ever downwards from its beginning to its end, and above all, man’s life, and as Don Quixote’s enjoyed no special dispensation from heaven to stay its course, its end and close came when he least looked for it. (Part II. Chapter LXXIV, Para 1)
But now, it is Sancho’s turn to imagine. As Don Quixote becomes ‘realistic’, Sancho’s spirit ascends from reality to illusion. What this novel stirred in me is the acuteness of the universal problem of the human mind. Quixote’s insanity is gentle and easy to sympathise with—he can’t understand the harshness and ridicule of the people around him. He assumes himself as a hero and a champion of the weak and oppressed. Sancho is a practical man with survival as his main agenda. He is rooted in common sense. Yet, he also adopts some of his idealism towards the novel’s end.
The mind is a compelling entity. Humanity has dominated planet Earth by using the mind but also created strife. Like a double-edged sword, the mind cuts both ways. In the final analysis, the mind is placed at the root of all human misery by various thinkers and philosophers over the centuries.
माया मुई न मन मुवा, मरि–मरि गया सरीर।
आसा त्रिष्णाँ नाँ मुई, यौं कहै दास कबीर॥
Kabir says that neither the illusion of a creature nor his mind dies. Only his body dies again and again. Despite wandering in many births, hope and desire never die; they always remain.
The minds of people can cast such a spell upon them that instead of living in the present moment, they dwell mainly in the past (ruminating their memories as animals chew all their food eaten earlier) or wander in fantasy (building castles in the air). Very few people live in the present moment. Then, some people escape from their unbearable reality by using alcohol and drugs. How are they different from Don Quixote? Listen to any popular leader giving a speech, and you can enjoy Don Quixote charging a windmill for a demon.